Thursday, 17 October 2013

Rochester Revisited

Back to Rochester to start work on the Textus Roffensis, one of the most significant documents in England along with Magna Carta, Domesday and one or two others. To find out why, google it, but it's basically the foundation of our current legal system and includes transcriptions of laws from as early as the 6th century, the document itself being 500 years older.


But the task we're faced with, as with Magna Carta, is how to convey the significance of what is a very opaque book. Page after page of Anglo-Saxon and Latin with nary an illumination to lighten our darkness.

I think the answer is conjuring up people's imagination. To try to immerse them in that Anglo-Saxon world of wild tribalism and post-Roman chaos. The darkness, the violence, the invaders, the pervasive sense of insecurity. The holy men retreating to their fastnesses on the edge of our little island.

And who's to look out for us? To whom are we accountable?

In to the ferment comes a book of law, setting out right and wrong, compensation and civilisation.

Miraculously it has survived almost 1000 years and our job will be to animate it like some bibliophiliac Dr Frankenstein. Helpfully the book will be displayed in the crypt, and, if we can get the space right, the evocation will be simpler.

So much of examining the past is an exercise in imagination, which, if successful, allows us to see our present in new ways. Hopefully we can help.

Thursday, 29 August 2013

Turning the Pages Deep Zoom



In response to some conversations at the IIIF conference in Paris earlier this summer, we decided to take a look at producing an enhanced version of Turning the Pages that would have 4 key features:
- HTML5 based
- use an API to call in any repository items rather than use the existing proprietary TTP database
- allow magnification to the native resolution of the source scans (whatever that might be)
- accommodate PNGs, TIFFs, JPGs or JP2s as source files

This project would take the long experience we have of producing compelling page turn experiences with that we developed for the iNQUIRE framework of surfacing deep zoom images, especially those created from a variety of source file formats.

Going through these one by one:

HTML5
It's clear we had to build on the work done in TTP 3.0 and make this a web app that will run on any platform and be easy to reskin and customise, so HTML5/Javascript and CSS were the way to go.

API
Previous versions of TTP have provided a great user experience but been connected to a proprietary MS SQL Server database populated by the TTP CMS. This made it really easy to use, but hard to scale. The objective for TTP_DZ is for digital libraries to be able to just call up a URI (for example for a folder of images) and TTP would dynamically create the books on the fly. Rather like the Open Archive Book Reader works. This approach would allow us to scale to millions of books in an automated fashion.

Zooming
One of the issues with rare books and manuscripts is the need to see as much resolution as possible. Traditionally we've used as high a resolution JPG or PNG as we can get away with, which has been good enough for the general public, but scholars want more. So we want to be able to provide the great TTP user experience, plus be able to zoom in to native resolution scans, all in a seamless way. No clunky image swapping or downloading of new page images.

JP2
Many of our clients are transitioning to using JP2s as their repository and delivery files format. We wanted to be able to accommodate this and serve up deep zoom pages derived from JP2s.

This project is a work in progress and the first build is now live here: http://armadillo.onlineculture.co.uk/deepzoom/ttp.html

This version hits a couple of our goals: it's HTML5 and it uses Deep Zoom versions of pages as required (i.e. beyond a certain zoom threshold). At the moment it's hard-wired in to the page images so the next thing we'll be working on is the abstraction from that model. It's also just using the standard TTP 3.0 interface  for now - we may add some more scholarly features as we progress.

As a prototype, we welcome all feedback, so tell us what you'd like to see and we'll add it to the list...

Wednesday, 28 August 2013

Sounds of Lindisfarne

We've been working a lot recently on the Lindisfarne Gospels, making website, kiosk, Kindle and iBook versions. Which isn't to say we're satiated. The intricacy of the cross-carpet pages,  the startling immediacy of the title pages for the Gospels, the interlinear annotations to the Latin text all make this a book of endless fascination.



But we were still surprised and delighted that Chris Watson has released a CD called "In St Cuthbert's Time" which is "a sound installation that reflects the acoustic landscape of that island during the time that the Lindisfarne Gospels were being considered, written and illustrated."

It was produced with Durham University's Institute of Advanced Study, and sounds like a remarkable project. As well as an installation it's available as a CD.

What books like the Lindisfarne Gospels have the capacity to do is to transport us back to the time of their creation. The evidence of their handling, the techniques of production, the annotations and the wear all speak volubly of the sacred time and space in which the work was made. To spend time in the company of the book is to let the 21st century fall away.

This evocation is sometimes hard to conjure up and I hope that Chris Watson's work will help the process. Very often we spend our time in pursuit of the facts about a book or trying to decode the meaning of the text. We don't allow ourselves to be transported back to it's world and our capacity for speculation, wonder and serendipitous connection is diminished.

I tracked it down on Caught By the River by the way, one of my favourite websites.

The iBook of the Gospels is also available here.

Monday, 8 July 2013

The Lost Library of Glastonbury

I've always had  a fascination with lost knowledge. There's an expanding corpus of knowledge in any given area, but is that everything that's ever been known about the subject? The hidden libraries of Timbuctou and the discovery of manuscripts at St Catherines Monastery are particularly gripping examples of these.

But, if we can fillet the unhelpful grail mythology from the tale, so is the lost library of Glastonbury.

So far as we can tell, the monastery was founded before 601. William of Malmesbury, probably the foremost historian of the 12th century, visited the abbey in the early part of the century and saw a charter of that date demonstrating a grant by a king of Damnonia at the request of Abbot Worgret of the isle of Yneswytrin to the monastery there. 

The Life of St Boniface, written by his disciple Willibald, mentions the abbey in the mid 8th century, and it also gets a mention in the 10th century Anglo Saxon Chronicle. We know St Dunstan was Abbott in the middle of the century and there is mention in the Domesday Book of 1086. After that William of Malmesbury picks up the tale some time after 1200 and we move through the 13th and 14th century towards the bibliographic apocalypse of the reformation. 


We'd be right to guess, therefore, that, by the reformation the abbey would have collected a significant library in it's 900 year history, despite the predations of the Danes and William the Conqueror, as well as regular fires, thefts and losses. This is born out by a survey of the abbey library made by John Glastonbury in 1247, as catalogued by the precentor William Britton. In the survey there are over 400 volumes, some, no doubt, with multiple manuscripts bound together. There are the writings of the early church fathers like Augustine, Gregory and Athanasius, but also some intriguing curiosities. 


What was "the second part from the psalms (old)"? If it was deemed old in 1247, how old was it? And what were "two English books, old and useless". Saxon, most likely, but what were they? And of the classics from Plato, Seneca, Orosius and others, were they just faithful copies of texts that have come down to us today, or did they hold now lost writings? Not to mention the transcriptions, transliterations, marginalia and appendices that these books must have had. Many were undoubtedly Saxon, but some may well have been earlier. If the abbey was founded in the middle of the 6th century (say), the Romans had only left these shores 100 years previously. How many of the books had come from their empire?


After this enticing survey in 1247, we know that, as the abbey grew rich along with the church, other manuscripts flowed into the great library at Glastonbury. Our next chronicler is John Leland, who, before he became a de facto antiquarian to Henry VIII, visited the monastery library for his own benefit in 1533, before the dissolution. A renowned (if slightly mad) bibliomane, the doors of the library were opened to him and his response was electric "Scarcely had I crossed the threshold when the sole contemplation of these ancient books filled me with I know not what—a sort of religious fear or stupor, and made me pause. Then, having saluted the genius of the place, I most curiously examined for some days all the shelves". 


Maybe Leland knew the end of the abbey was in sight. The bishop, Whyting, was harrassed by Thomas Cromwell from about 1535, and was now an old man. He had graduated in 1483, so, by now must have been over 70. Through the late summer and autumn of 1539 Abbott Whyting and the 
brothers were further harried by Cromwell, who had seen to it that, by this time, Glastonbury was the last abbey standing in Somerset. By October, Cromwells men were ransacking the abbey. 11,000 ounces of gilt plate, 6,000 ounces of silver, cash of over £1,100 and even furniture were hauled back to the king.

Whyting was given a show trial and executed on the tor that stands outside the town. He was hung, drawn and quartered and the parts of his body displayed in Bridgwater, Ilchester, Wells and Bath.

And what of the books? Leland had estimated there to be over 4,000 volumes at the time of his visit. The greatest library in England and a treasure house of the rarest and most important books.

Well, the stories that have come down to us are tragic. Bindings were ripped from the books, and the jewels and gilt prised off as treasure. The folios inside burnt. We hear of thousands of pages blowing away in the wind, gathered to be used as toilet paper or to scour out candlesticks.

But we know of 40 or so that survived, rescued from the flames by Archbishop Matthew Parker and Sir Robert Cotton. The former now known as the Parker Collection, and the later forming the basis of what became the British Library.

These are books like Prognosticon futuri saeculi by Aldhelm, now at the BL:


Or here is a fragment of the Anglo Saxon Chronicle of 890, now at the Parker Collection:

So while much as been lost, at least some remains. And maybe there's more to be found.

A couple of years ago I worked on the lost minutes of the early days of the Royal Society. Kept by Robert Hooke, they'd been mislaid sometime just after 1700. In 2006, during a house clearance, a tattered manuscript was found in a cupboard in a house in Sussex. It was the lost minutes -  a record of the intellectual sparring between Hooke, Boyle, Newton and others. Amongst other things it identified the fact that Hooke had invented the balance spring as a doodle on the back of a page, an invention hitherto credited to Christian Huygens.

You never know what remains to be found. Lost knowledge doesn't always stay lost.

If you want to pursue this fascinating area of study I looked at The Victoria County History of Somerset (vol 2), the Somerset Extensive Urban Survey and much enjoyed Michael Wood's account in In Search of England. Had I more time, I'd have tried to turn up James P. Carley's  "John Leland and the contents of English pre-dissolution libraries" which seems to be a recent definitive work on the subject. William of Malmesbury you should find at the Internet Archive.

You'll also have to forgive my sketchy scholarship. As a technologist rather than an academic, I'd like to think this might be forgiven on account of my amateur status.


Tuesday, 2 July 2013

Leaving the field

A little while ago I wrote about how difficult it is for small app developers to make it, in competition with the huge marketing spend of big app houses.

Today it was sad to see that Agant has let go all of it's staff, citing that the app development environment is just too risky.

I feel sorry for the company and the founder, and he proposed a number of solutions for making his apps more appealing, including time-limited trials which make perfect sense.

But a number of things come back to me:
- you're never going to change Apple. They have a stranglehold on the paid-for apps market.
- you need friends in high places to succeed. Apple would be a good friend to have. Failing that someone with deep marketing pockets
- outstanding quality will succeed partly because it attracts friends. Touchpress, for example, do well and turn out apps with high production values (and budgets)
- originality will attract eyeballs. If your app is pretty much like a dozen other apps in the store (at least to the consumer) then how are you going to differentiate yourself. Seth Godin wrote about this last week. If you're doing something new, you'll generate a buzz and sales will follow.

None of which is a comment on Agant's efforts. I've not used their apps.

But any independent developer should pay careful attention what the market is telling us.

Remember - during the goldrush most prospectors didn't make a dime, and the real winners were the guys who sold shovels and the corporations who came in and swept up the land rights. Little guys never lasted long.

Thursday, 13 June 2013

Skeuomorphism hits the headlines

Most gratifyingly, the subject of skeuomorphism has become a hot topic in the last weeks as Apple have refreshed iOS and done away with the green baize of Game Center, the ripped paper of Calendar and the stitched leather of Notes.


Having written an essay for this for Tate a while ago, which I also posted here, the BBC tracked me down and Sam Judah interviewed me the other day. His piece is now live on the BBC website.

I think there's still a debate to be had here. Hideous forced metaphors, especially in productivity apps have no role for me. Cut to the chase please, I have work to do.

But in other contexts, such as gallery interactives, or apps designed for a more leisurely experience, then surely there is space for an alternative view.

As I said in the interview:"Is there no room for ornamentation, for playfulness, for beauty? Are we all going to live in a minimalist world and walk around wearing grey polo necks?"

Tuesday, 11 June 2013

Interoperability gets serious

The other week I was in Paris for a conference on interoperability. It was the working group of the IIIF, the brainchild of a consortium of libraries including the British Library, Bibliotheque Nationale, National Library of Norway, Los Alamos and Stanford.

The efforts being made in this area are immense, and, since I've been involved in this field, something of a holy grail. As research slowly becomes digital, the concept of information being locked in discreet digital silos becomes more and more absurd. Ingest of just metadata into a vast database (Europeana) or strict adherence to standards before ingest of metadata and image into another vast database (Biodiversity Heritage Library) do surely not, in the end, point the way forward.

And yet, what to do? Decisions over digitisation and metadata standards that were taken decades ago affect us now and prevent effective cross-collection search and collaboration.

IIIF is designed to address that problem by developing metadata and image APIs as well as a comprehensive image markup model called Shared Canvas.

It was fascinating to be involved in the emergence of something so potentially game-changing. The unsung heroes of interoperability will be those who sweat the details over the schema and the API. My job is then to build software that exploits this liberating commonality and frees the repositories up for researchers. They make me look good.

So thank you to Tom Cramer for inviting me and I look forward to seeing how this pans out.